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Annapolis, Maryland is a place for boats. Even when one gets away from the dock downtown, it is difficult to find a long stretch along the water where there is not accommodation for a boat. This makes complete sense, as anyone paying an incredible premium to live along the water certainly has a boat to take full advantage of their location.
This is such accommodation seemingly in the middle of nowhere. Konica Infrared captured the trees in such a way that the shelter for the boat could be easily seen, otherwise it would have been hidden in similarly rendered shades of gray.
This is the fourth in the series of four images taken at a small public dock in Annapolis, MD.
This is the third in the series of four images taken at a small public dock in Annapolis, MD.
This zone plate image is the second in the series of four images taken at a small public dock in Annapolis, MD.
Chris Peregoy’s Pinhole Blender allows for the blending of multiple pinhole images into a single frame. This particular image was made in a graveyard beside the city of Annapolis, MD, allowing gravestones and graveyard angels to blend into one another.
In Annapolis, MD there are a few places where the public can go to launch their boats. Conversely, these few places can be used by boaters visiting the city to dock their dingy.
One of those out of the way places is located here, and I have done a series of four zone plate images around the dock. As it leads to a residential area, my guess is that the primary use is by locals, who have boats that are currently on Spa Creek.
Annapolis, MD is an interesting place in many respects. It is one of the older cities in the United States, but has been maintained nicely due to regulations concerning historic buildings (this has also proven to be a problem, as was the case with a building that burned down a number of years ago, where the remaining walls were not allowed to be taken down).
The colors of some of the row houses downtown are interesting because they are not necessarily coordinated with one another and I wanted to capture some of this cacophony. To do so I used Chris Peregoy’s Pinhole Blender in the 120 size. This image was taken on Fleet Street.



